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The Day Watch (Watch, Book 2) | ![]() |
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The Day Watch (Watch, Book 2) | ![]() |
Day Watch is replete with the thrilling action and intricate plotting of the first tale, fuelled by cunning, cruelty, violence, and magic. It is a fast paced, darkly humorous, haunting world that will take root in the shadows of your mind and live there forever.
作者简介 Born in Kazakhstan and educated as a psychiatrist, Sergei Lukyanenko began publishing science fiction work in the 1980s. He is currently developing a TV series based on Night Watch and a new novel that incorporates suggestions from readers submitted on his website. Andrew Bromfield is a founding editor of the Russian literature journal Glas. His work has been short-listed for numerous translation prizes.
媒体推荐 "Night Watch is an epic of extraordinary power." -- Quentin Tarantino
"Star Wars meets the Vampires in Moscow . . . it bursts with a sick, carnivorous glee in its fiendish games." -- New York Times
"A pixilated-vampire-superhero, rock-and-roll, Matrix-style thriller that?s up there with the genre?s most exhilarating and ridiculous." -- New York
专业书评 From Publishers Weekly
The morally ambiguous second volume in Lukyanenko's trilogy (after 2006's Night Watch, a major literary and cinematic success in Russia) portrays the epic supernatural struggle between good and evil from the point-of-view of the witch Alisa Donnikova. Lukyanenko imagines a parallel reality, where human history has been shaped by a centuries-old conflict between the Dark Ones and the Light Ones, magical beings whose existence is kept carefully hidden from humanity. After Alisa, a Dark One, loses her powers in a minor confrontation with some Light Ones, she heads to the Crimea to recuperate at a girls' camp, where she feeds on children's nightmares. There she falls in love with Igor, who turns out to be a Light magician. The plot centers on the ramifications of their romance and the theft of Fafnir's Talon, a powerful artifact whose provenance is linked to the legendary Ring of the Nibelungs. Though the artifact conceit is less well developed than that of the truth-telling instrument in Philip Pullman's His Dark Materials series, the fast-paced story augurs well for the last installment. (Mar.)
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Quentin Tarantino
"Night Watch is an epic of extraordinary power."
New York Times
"Star Wars meets the Vampires in Moscow . . . it bursts with a sick, carnivorous glee in its fiendish games."
New York
"A pixilated-vampire-superhero, rock-and-roll, Matrix-style thriller thats up there with the genres most exhilarating and ridiculous."