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A Killing in Comics

2010-03-17 
基本信息·出版社:Berkley Trade ·页码:261 页 ·出版日期:2007年05月 ·ISBN:042521365X ·International Standard Book Number:042521365X ·条形 ...
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 A Killing in Comics


基本信息·出版社:Berkley Trade
·页码:261 页
·出版日期:2007年05月
·ISBN:042521365X
·International Standard Book Number:042521365X
·条形码:9780425213650
·EAN:9780425213650
·装帧:平装
·正文语种:英语
·丛书名:A Jack Starr Mystery

内容简介 在线阅读本书

A cutting-edge mystery novel that combines the illustrations of Batman artist Terry Beatty with a New York Times bestelling author.

Manhattan, 1948. America's most famous exstriptease artist, glamorous Maggie Starr, now runs her late husband's newspaper syndicate, distributing the Wonder Guy comic strip. Wonder Guy, soaring superhero, represents all that is good about postwar America. But when the cartoon character's publisher winds up dead, Maggie finds herself working with her stepson Jack Starr (also her V.P. and chief troubleshooter) to find a killer among cartoonists, wives, mistresses and minions of a different sort of "syndicate"-suspects with motives that are anything but superheroic.
作者简介 Max Allan Collins lives in Muscatine, Iowa, with his wife, writer Barbara Collins.
专业书评 From Publishers Weekly

Fans who admire Collins's superb Nate Heller series for its ingenious, innovative and well-researched solutions to historical mysteries like the Black Dahlia murder (Angel in Black) and Amelia Earhart's disappearance (Flying Blind) will find this bland, broadly sketched whodunit several notches below the author's best work. The action takes place in 1948 Manhattan, where Donny Harrison, publisher of Americana Comics, gets impaled on a huge cake knife at his 50th birthday party, and Jack Starr, troubleshooter for a newspaper syndicate, investigates the many who wished Harrison dead. The premise—setting a murder mystery among the legends who created the first iconic comic book heroes, represented here as Wonder Guy and Batwing (thinly disguised versions of Superman and Batman)—is promising, but instead of a thoughtful and insightful exploration of that idea, Collins settles for near parody. Terry Beatty (Batman) contributes tongue-in-cheek, retro comic art throughout. (May)
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