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The Informers |
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The Informers |
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基本信息·出版社：Vintage
·页码：225 页
·出版日期：1995年08月
·ISBN：0679743243
·International Standard Book Number：0679743243
·条形码：9780679743248
·EAN：9780679743248
·装帧：平装
·正文语种：英语
内容简介 This powerful and poignant novel of L.A., from the author of Less Than Zero and American Psycho, depicts a generation's overwhelming dissatisfaction with the way things are, and its insistence on remaining as detached and isolated as possible. This powerful and poignant novel of L.A., from the author of Less Than Zero and American Psycho, depicts a generation's overwhelming dissatisfaction with the way things are, and its insistence on remaining as detached and isolated as possible.
作者简介 Bret Easton Ellis is the author of four previous novels and a collection of stories, which have been translated into twenty-seven languages. He divides his time between Los Angeles and New York City.
媒体推荐 Bret Easton Ellis is a very, very good writer [and] American Psycho is a beautifully controlled, careful, important novel...Written out of the American tradition -- the novelist's function is to keep a running tag on the progress of the culture; and he's done it brilliantly...A seminal book.
-- Fay Weldon, Washington Post
"What's rarely said in all the furor over this novel is that it's a satire, a hilarious, repulsive, boring, seductive, deadpan satire...Ellis is, first and last, a moralist. Under cover of his laconic voice, every word in his three novels to date springs from grieving outrage at our spiritual condition... Ambition alone sets it apart from most contemporary fiction. Prudes, squares and feminist commissars aside, the rest of us should applaud Brat Easton Ellis for setting out in this noble and dangerous direction."
-- Henry Bean, front page, Los Angeles Times Book Review
"A masterful satire and a ferocious, hilarious ambitious, inspiring piece of writing, which has large elements of Jane Austen at her vitriolic best. An important book."
-- Katherine Dunn
"A great novel. What Emerson said about genius, that it's the return of one's rejected thoughts with an alienated majesty, holds true for American Psycho...There is a fever to the life of this book that is, in my reading, unknown in American literature."
-- Michael Tolkin
"The first novel to come along in years that takes on deep and Dostoyevskian themes...[Ellis] is showing older authors where the hands have come to on the clock...He has forced us to look at intolerable material, and so few novels try for that anymore."
-- Norman Mailer, Vanity Fair
From the Hardcover edition. --
Review 编辑推荐 “
The Informers skillfully accomplishes its goal of depicting a modern moral wasteland. . . arguably Ellis's best.”
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The Boston Globe“A post-modern
Winesburg, Ohio. . . . Ellis's cleverness is on full display. . . . He has a keen ear for dialogue, a sharp eye for the moral bankruptcy of modern life, and a vivid imagination.”
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San Francisco Chronicle“
The Informers is spare, austere, elegantly designed, telling in detail, coolly ferocious, sardonic in its humor; every vestige of authorial sentiment is expunged. . . . Truly unsettling.”
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The New York Times Book Review“Bret Easton Ellis. . . is an extremely traditional and very serious American novelist. He is the model of literary filial piety, counting among his parents Ernest Hemingway, F. Scott Fitzgerald, Nathanael West, and Joan Didion.”
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The Washington Post 文摘 1
BRUCE CALLS FROM MULHOLLAND
Bruce calls, stoned and sunburned, from Los Angeles and tells me that he's sorry. He tells me he's sorry for not being here, at campus with me. He tells me that I was right, that he should have flown to the workshop this summer, and he tells me that he's sorry he's not in New Hampshire and that he's sorry he hasn't called me in a week and I ask him what he's doing in Los Angeles and don't mention that it has been two months.
Bruce tells me that things went bad ever since Robert left the apartment they were sharing on Fifty-sixth and Park and went on a white-water-rafting trip with his stepfather down the Colorado River, leaving his girlfriend, Lauren, who also lives in the apartment on Fifty-sixth and Park, and Bruce alone, together, for four weeks. I have never met Lauren but I know what kind of girl Robert is attracted to and I can picture what she must look like clearly in my mind and then I'm thinking of the girls who are attracted to Robert, beautiful and pretending to ignore the fact that Robert, at twenty-two, is worth about three hundred million dollars, and I picture this girl, Lauren, lying on Robert's futon, head thrown back, Bruce moving slowly on top of her, his eyes shut tightly.
Bruce tells me that the affair started a week after Robert left. Bruce and Lauren had gone to Café Central and after they sent back the food and decided just to have drinks, they agreed it would be sex only. It would happen only because Robert had gone out West. They told each other that there really was no mutual attraction beyond the physical and then they went back to Robert's apartment and went to bed. This went on, Bruce tells me, for one week, until Lauren started dating a twenty-three-year-old real estate tycoon who is worth about two billion dollars.
Bruce tells me that he was not upset by that. But he was "slightly bothered" the weekend Lauren's brother, Marshall, who just graduated f
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