3rd Degree

商家名称	信用等级	购买信息	订购本书
		3rd Degree
		3rd Degree

基本信息·出版社：Grand Central Publishing
·页码：368 页
·出版日期：2005年01月
·ISBN：0446614831
·条形码：9780446614832
·装帧：简装
·丛书名：The Women's Murder Club
·外文书名：第三度

内容简介 在线阅读本书

Detective Lindsay Boxer and Assistant District Attorney Jill Bernhardt are enjoying a quiet afternoon in San Francisco when a townhouse across the street explodes in flames. A sinister note signed "August Spies" is found at the scene of the disaster, and the body of an infant who was asleep in the house at the time of the explosion cannot be found. Soon a wave of violent incidents, all with links to political terrorism and involving "August Spies," sweeps through the city. An upcoming economic summit of the world's most powerful nations will surely be a target. And it's up to the Women's Murder Club to get to the bottom of the violence before it's too late. Delivering the breakneck pace and never-saw-it-coming plot twists that have made James Patterson the most addictive writer at work today, 3rd DEGREE is another searing and unforgettable thriller from the nation's #1 bestselling suspense writer.
作者简介 James B. Patterson (born March 22, 1947) is an award-winning American author. Formerly an advertising executive for J. W. Thompson in the early 1990s, Patterson came up with the slogan "Toys R Us Kid". Shortly after his success with Along Came A Spider he retired from the firm and devoted his time to writing. The novels featuring his character, Alex Cross, a black forensic psychologist formerly of the Washington, D.C. Police Department and Federal Bureau of Investigation, now working as a private psychologist and government consultant, are the most popular books among Patterson readers. James Patterson has been criticized by Stephen King, who called Patterson's books "dopey thrillers".[citation needed] Patterson shrugged off the comments, stating that he wants to be the "thrillingest thriller writer of all time".[citation needed] James Patterson has also been put as one of Forbes magazine's top 100 celebrities.
编辑推荐 From Publishers Weekly From the start, Patterson's Women's Murder Club series (1st to Die; Second Chance) has felt like high-concept TV with a smart edge, featuring an appealing and reliable cast of four female crime busters (a cop, a prosecutor, a medical examiner, a reporter) who race along byzantine plot lines humming with blood and sex, romance and heartbreak. But Patterson is an author who will detonate readers' presumptions for the sake of story, and in the series' third installment, the prolific author, working with frequent collaborator Gross (The Jester, etc.), defies expectations in a shocking way. Readers will love him for it. San Francisco Homicide lieutenant Lindsay Boxer, who narrates most of the action, is jogging with assistant DA Jill Barnhardt when Lindsay notices two things: first, bruises on Jill's shoulder; then the explosion of a nearby townhouse, into which Lindsay rushes to save a child. With the juxtaposition of these two plotlines, Patterson jumpstarts this enjoyably convoluted tale. The townhouse, home to a greedy CEO and his family, was destroyed by members of a terrorist group calling itself "August Spies"; Lindsay's chase after the group, which commits further killings, brings her into close proximity to what promises to be a new series regular, Joe Molinari, deputy director of the Office of Homeland Security. Love blooms for Lindsay but, meanwhile, love has curdled at Jill's house, where Jill's husband is abusing her. Then comes the big surprise, and the story's remainder plays out at high emotion and warp speed. There's a calculated feel to all that happens, but clever manipulation of an audience serves Patterson as well as it served Hitchcock: his fans will only clamor for more. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From AudioFile Running with her dog on a quiet Sunday morning, Homicide Detective Lindsey Boxer witnesses the explosion that starts a week of terrorism in San Francisco. Carolyn McCormick's performance strikes the right balance of professionalism and horror in Boxer's first-person account. McCormick portrays the detective as both detached investigator and sensitive woman, those qualities fighting for dominance in each area of her life. Other characters also receive careful attention, with a light touch of regional accent here and there to polish their personalities. Occasional muted sound effects and musical interludes enhance the performance. R.P.L. © AudioFile 2004, Portland, Maine-- Copyright © AudioFile, Portland, Maine --This text refers to an out of print or unavailable edition of this title.
专业书评 From Publishers Weekly
From the start, Patterson's Women's Murder Club series (1st to Die; Second Chance) has felt like high-concept TV with a smart edge, featuring an appealing and reliable cast of four female crime busters (a cop, a prosecutor, a medical examiner, a reporter) who race along byzantine plot lines humming with blood and sex, romance and heartbreak. But Patterson is an author who will detonate readers' presumptions for the sake of story, and in the series' third installment, the prolific author, working with frequent collaborator Gross (The Jester, etc.), defies expectations in a shocking way. Readers will love him for it. San Francisco Homicide lieutenant Lindsay Boxer, who narrates most of the action, is jogging with assistant DA Jill Barnhardt when Lindsay notices two things: first, bruises on Jill's shoulder; then the explosion of a nearby townhouse, into which Lindsay rushes to save a child. With the juxtaposition of these two plotlines, Patterson jumpstarts this enjoyably convoluted tale. The townhouse, home to a greedy CEO and his family, was destroyed by members of a terrorist group calling itself "August Spies"; Lindsay's chase after the group, which commits further killings, brings her into close proximity to what promises to be a new series regular, Joe Molinari, deputy director of the Office of Homeland Security. Love blooms for Lindsay but, meanwhile, love has curdled at Jill's house, where Jill's husband is abusing her. Then comes the big surprise, and the story's remainder plays out at high emotion and warp speed. There's a calculated feel to all that happens, but clever manipulation of an audience serves Patterson as well as it served Hitchcock: his fans will only clamor for more.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From AudioFile
Running with her dog on a quiet Sunday morning, Homicide Detective Lindsey Boxer witnesses the explosion that starts a week of terrorism in San Francisco. Carolyn McCormick's performance strikes the right balance of professionalism and horror in Boxer's first-person account. McCormick portrays the detective as both detached investigator and sensitive woman, those qualities fighting for dominance in each area of her life. Other characters also receive careful attention, with a light touch of regional accent here and there to polish their personalities. Occasional muted sound effects and musical interludes enhance the performance. R.P.L. © AudioFile 2004, Portland, Maine-- Copyright © AudioFile, Portland, Maine --This text refers to an out of print or unavailable edition of this title.

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