The Idiot

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		The Idiot
		The Idiot

基本信息·出版社：Bantam Classics
·页码：720 页
·出版日期：1983年07月
·ISBN：0553213520
·条形码：9780553213522
·版本：第1版
·装帧：简装
·开本：32开 Pages Per Sheet
·丛书名：Bantam Classic
·外文书名：白痴

内容简介 Book Description
"My intention is to portray a truly beautiful soul." — Dostoevsky

Despite the harsh circumstances besetting his own life — object poverty, incessant gambling, the death of his firstborn child — Dostoevsky produced a second masterpiece, The Idiot, just two years after completing Crime and Punishment. In it, a saintly man, Prince Myshkin, is thrust into the heart of a society more concerned with wealth, power and sexual conquest than with the ideals of Christianity. Myshkin soon finds himself at the center of a violent love triangle in which a notorious woman and a beautiful young girl become rivals for his affections. Extortion, scandal and murder follow, testing Myshkin's moral feelings as Dostoevsky searches through the wreckage left by human misery to find "man in man." The Idiot is a quintessentially Russian novel, one that penetrates the complex psyche of the Russian people. "They call me a psychologist," wrote Dostoevsky. "That is not true. I'm only a realist in the higher sense; that is, I portray all the depths of the human soul."

From Publishers Weekly
Richard Pevear and Larissa Volokhonsky, justly acclaimed for their translations of such Russian classics as Gogol's Dead Souls and Dostoyevski's The Brothers Karamazov, Crime and Punishment and Notes from Underground, have now undertaken another major Dostoyevski novel, The Idiot. Their trademark style fresh, crisp and faithful to the original (bumps and blemishes included) brings the story of nave, truth-telling Prince Myshkin to new life. As is true of their other translations of Dostoyevski, this will likely be the definitive edition for years to come. Intro. by Pevear.

From Booklist

From Library Journal

From AudioFile
Writing with sweeping grandeur of the pre-Soviet era, Dostoyevsky describes an elite society swarming with eccentrics. Some are idiots. Many are caught in a sea of emotion and might as well be idiots. Michael Sheen, a young British actor, reads with absolute control of voice, characters and unfamiliar Russian names. Each character is sharply delineated by inflection, tone, pacing, tension. Even the women are nicely drawn, though in this tight abridgment it's sometimes hard to distinguish among the minor ones. When hysteria is called for, Sheen delivers it, not loudly, but with subdued intensity. Naxos punctuates the text with a selection of appropriate classical music, mostly somber, sometimes grand. D.W.

About Author
Fyodor Mikailovich Dostoevsky’s life was a dark and dramatic as the great novels he wrote. He was born in Moscow in 1821, the son of a former army surgeon whose drunken brutality led his own serfs to murder him by pouring vodka down his throat until he strangled. A short first novel, Poor Folk (1846) brought him instant success, but his writing career was cut short by his arrest for alleged subversion against Tsar Nicholas I in 1849. In prison he was given the “silent treatment” for eight months (guards even wore velvet soled boots) before he was led in front a firing squad. Dressed in death shroud, he faced an open grave and awaited execution, when suddenly, an order arrived commuting his sentence. He then spent four years at hard labor in a Siberian prison, where he began to suffer from epilepsy, and he only returned to St. Petersburg a full ten years after he had left in chains.

His prison experiences coupled with his conversion to a conservative and profoundly religious philosophy formed the basis for his great novels. But it was his fortuitous marriage to Anna Snitkina, following a period of utter destitution brought about by his compulsive gambling, that gave Dostoevsky the emotional stability to complete Crime and Punishment (1866), The Idiot (1868-69), The Possessed (1871-72), and The Brothers Karamazov (1879-80). When Dostoevsky died in 1881, he left a legacy of masterworks that influenced the great thinkers and writers of the Western world and immortalized him as a giant among writers of world literature.

Book Dimension:
length: (cm)17.7 　　　 　　　 　　 　 width:(cm)10.7
媒体推荐 " Nothing is outside Dostoevsky' s province. . . . Out of Shakespeare there is no more exciting reading." -- Virginia Woolf
编辑推荐 “Nothing is outside Dostoevsky’s province. . . . Out of Shakespeare there is no more exciting reading.” —Virginia Woolf

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