Those Who Save Us

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		Those Who Save Us
		Those Who Save Us

基本信息·出版社：Harvest Books
·页码：496 页
·出版日期：2005年05月
·ISBN：0156031663
·条形码：9780156031660
·装帧：平装
·正文语种：英语
·外文书名：拯救我们的人(小说)

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For fifty years, Anna Schlemmer has refused to talk about her life in Germany during World War II. Her daughter, Trudy, was only three when she and her mother were liberated by an American soldier and went to live with him in Minnesota. Trudy's sole evidence of the past is an old photograph: a family portrait showing Anna, Trudy, and a Nazi officer, the Obersturmfuhrer of Buchenwald.

Driven by the guilt of her heritage, Trudy, now a professor of German history, begins investigating the past and finally unearths the dramatic and heartbreaking truth of her mother's life.

Combining a passionate, doomed love story, a vivid evocation of life during the war, and a poignant mother/daughter drama, Those Who Save Us is a profound exploration of what we endure to survive and the legacy of shame.


作者简介 JENNA BLUM is of German and Jewish descent. She worked for Steven Spielberg's Shoah Foundation for four years, interviewing Holocaust survivors. She currently teaches at Boston University and runs fiction workshops for Grub Street Writers.
媒体推荐 Customer Reviews
1. A fast-paced and entertaining page-turner , January 2, 2005
By David M. Scott "David Meerman Scott" (Boston, MA)

I'm always on the lookout for historical literary thrillers, but there are so few good ones out there. Those Who Save Us, while certainly not marketed as one, really is a historical literary thriller in every way. And it's a terrific one indeed. Jenna Blum's writing style reminds me of David Liss more than any other writer.

Those Who Save Us is a real page-turner. At the end of each chapter, Jenna Blum left me hanging and wanting (no needing) to know what's next. Yes, I cared about the characters very much -- but like a great thriller, I was also drawn into the plot in a way that I couldn't let go.

OK, so the book is about choice and the backdrop of the horrors of the holocaust are terrible indeed, but I was expecting all that. What I wasn't expecting was that the narrative would be so fast-paced. It is quite an accomplishment for an author to deal with moral issues in history and entertain the reader at the same time.

So here's my two cents for Jenna Blum's literary agent: If you haven't already, I think you should consider marketing the mass-market paperback rights in the literary thriller category. This book should have a completely different cover, different marketing, different blurbs and different cover copy to appeal to people who buy books in airports and through Amazon's "thrillers" category. This is an entertaining book! Don't hide that fact!

2. A new take on the Holocaust, April 19, 2005
By J. E. Roper (Boston, MA)

As other reviewers have said, this book is a real page turner. I absolutely tore through it, drawn in by the powerful storytelling and gripping plot.

What I liked most about this novel, however, was the new perspective it granted on Germany and Germans during the war. This is the side of the Holocaust that has been largely unexplored in literature until now -- how ordinary German citizens confronted or ignored the crimes against Jews, while at the same time trying to ensure their own survival. There are no easy answers, of course, and the book does a good job of acknowledging that fact, while still hammering home the horrors of what happened.

Most importantly, it kept me thinking and questioning: if I were a non-Jewish German, what would I have done? A book that inspires that sort of reflection and thought -- while also providing a riveting, satisfying read -- is a rare treat indeed.

3. Brave, compassionate and usettling debut novel treats dangers of sequestered personal anguish, April 24, 2007
By Bruce J. Wasser (Lake Bluff, IL)

"Those Who Save Us," Jenna Blum's courageous and chastening debut novel, investigates two themes that are at once profoundly historical and deeply personal. With elegant, fast-paced prose, Blum narrates a story that reveals the enduring impact of the Holocaust while bravely exploring the intergenerational transmission of trauma. The two damaged women who are the focus of the novel, a mother permanently ruined by the course of actions she pursued during the Holocaust and her daughter, ravaged by a sense of incomplete identity and derivative pain, travel eerily parallel paths. Both struggle with identity, grapple with ethics and lead isolated, unfulfilled lives. One willingly needs to obliterate the past; the other desperately requires the past in order to form a coherent sense of her present self. This triumphant novel enables the reader to see the world through both protagonists' eyes, to suffer their pain and to ask existential questions the answers to which may only result in more suffering.

The daughter of an officious, sycophantic lower-level Nazi lawyer, Anna Schlemmer violates the Reich's prohibitions against carnal relationships with Jews. The resulting pregnancy and her father's subsequent repudiation, occurring at the onset of World War II, force Anna to find a means of survival. Anna's decisions, and the long-term reverberations those choices engendered, compose one of the two interwoven strands of the novel. From her decision to involve herself in the resistance to her wrenching degradation at the hands of an SS officer, Anna's focus narrows. Despite a near complete loss of self-respect, she keeps her cherished daughter alive. This loss of conscience -- this descent into self-eradication -- teaches us a great deal about what occurs to good people when placed in an environment of unprecedented fear and brutality.

Anna's daughter, Trudy, lives a half century removed from her mother's ordeal, but knows literally nothing about her past. A "conspiracy of silence, a wall that Trudy could neither penetrate or scale" forbids her from her mother's past. Only a photograph of Anna, Trudy and a German military officer exists, and Trudy can only construct a flimsy artifice of her own story. She knows that Anna's American husband is not her "real" father, but knowledge of who is not cannot supplant the agony of not knowing who is. Divorced, alienated and terribly lonely, Trudy knows only her mother's repeated injunction: "The past is dead...and better it remain so." Ironically, as a professor of German history, Trudy strives to teach indifferent students about the very past that is utterly unknown to her on the deepest personal level.

Blum is at her best in depicting the awful hurt those who suffer transmitted trauma experience. For every indignity Anna suffered in the 1940s, her daughter relives in the 1990s. Deprived of stories, the fundamental building blocks of attachment between a parents and children, Trudy cannot know herself. Her mother's stony silence and absolute unwillingness to reveal the past -- and herself -- to her daughter are doubly isolating, removing the mother from the daughter and the daughter from her self.

The maelstrom of the Holocaust tears apart the world Anna knew and skews her ability to mother her young daughter, Trudy plods through live in a loveless, sterile environment, each day a drab duplicate of insufficient hopes and dwindling expectations. In Jenna Blum's capable hands, these two women emerge as archetypes of conflicted hopes, mangled dreams and beleaguered interpreters of the past. If stories serve as the trellis around which we twine ourselves in order to grow, "Those Who Save Us" underscores the dangers of struggling through life without the requisite support of knowledge of the past. This brave, compassionate and deeply unsettling novel emboldens us to remember and recount.
编辑推荐 From Publishers Weekly
Blum, who worked for Steven Spielberg's Shoah Foundation, takes a direct, unsentimental look at the Holocaust in her first novel. The narrative alternates between the present-day story of Trudy, a history professor at a Minneapolis university collecting oral histories of WWII survivors (both German and Jewish), and that of her aged but once beautiful German mother, Anna, who left her country when she married an American soldier. Interspersed with Trudy's interviews with German immigrants, many of whom reveal unabashed anti-Semitism, Anna's story flashes back to her hometown of Weimar. As Nazi anti-Jewish edicts intensify in the 1930s, Anna hides her love affair with a Jewish doctor, Max Stern. When Max is interned at nearby Buchenwald and Anna's father dies, Anna, carrying Max's child, goes to live with a baker who smuggles bread to prisoners at the camp. Anna assists with the smuggling after Trudy's birth until the baker is caught and executed. Then Anna catches the eye of the Obersturmführer, a high-ranking Nazi officer at Buchenwald, who suspects her of also supplying the inmates with bread. He coerces her into a torrid, abusive affair, in which she remains complicit to ensure her survival and that of her baby daughter. Blum paints a subtle, nuanced portrait of the Obersturmführer, complicating his sordid cruelty with more delicate facets of his personality. Ultimately, present and past overlap with a shocking yet believable coincidence. Blum's spare imagery is nightmarish and intimate, imbuing familiar panoramas of Nazi atrocity with stark new power. This is a poised, hair-raising debut.
Copyright ? Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

From Booklist
Family secrets of Nazi Germany are at the core of this powerful first novel told in two narratives that alternate between New Heidelberg, Minnesota, in the present, and the small town of Weimar near Buchenwald during World War II. Trudy is a professor of German history in Minnesota, where she's teaching a seminar on women's roles in Nazi Germany and conducting interviews with Germans about how they're dealing with what they did during the war. But her mother, Anna, won't talk about it, not even to her own daughter. Trudy knows, she remembers, that Anna was mistress to a big Nazi camp officer. Why did she do it? Was he Trudy's father? The interviews are a plot contrivance to introduce a range of attitudes, from blatant racism to crippling survivor guilt. But the characters, then and now, are drawn with rare complexity, including a brave, gloomy, unlucky rescuer and a wheeler-dealer survivor. Anna's story is a gripping mystery in a page-turner that raises universal questions of shame, guilt, and personal responsibility. Hazel Rochman

专业书评 From Publishers Weekly
Blum, who worked for Steven Spielberg's Shoah Foundation, takes a direct, unsentimental look at the Holocaust in her first novel. The narrative alternates between the present-day story of Trudy, a history professor at a Minneapolis university collecting oral histories of WWII survivors (both German and Jewish), and that of her aged but once beautiful German mother, Anna, who left her country when she married an American soldier. Interspersed with Trudy's interviews with German immigrants, many of whom reveal unabashed anti-Semitism, Anna's story flashes back to her hometown of Weimar. As Nazi anti-Jewish edicts intensify in the 1930s, Anna hides her love affair with a Jewish doctor, Max Stern. When Max is interned at nearby Buchenwald and Anna's father dies, Anna, carrying Max's child, goes to live with a baker who smuggles bread to prisoners at the camp. Anna assists with the smuggling after Trudy's birth until the baker is caught and executed. Then Anna catches the eye of the Obersturmführer, a high-ranking Nazi officer at Buchenwald, who suspects her of also supplying the inmates with bread. He coerces her into a torrid, abusive affair, in which she remains complicit to ensure her survival and that of her baby daughter. Blum paints a subtle, nuanced portrait of the Obersturmführer, complicating his sordid cruelty with more delicate facets of his personality. Ultimately, present and past overlap with a shocking yet believable coincidence. Blum's spare imagery is nightmarish and intimate, imbuing familiar panoramas of Nazi atrocity with stark new power. This is a poised, hair-raising debut.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

From Booklist
Family secrets of Nazi Germany are at the core of this powerful first novel told in two narratives that alternate between New Heidelberg, Minnesota, in the present, and the small town of Weimar near Buchenwald during World War II. Trudy is a professor of German history in Minnesota, where she's teaching a seminar on women's roles in Nazi Germany and conducting interviews with Germans about how they're dealing with what they did during the war. But her mother, Anna, won't talk about it, not even to her own daughter. Trudy knows, she remembers, that Anna was mistress to a big Nazi camp officer. Why did she do it? Was he Trudy's father? The interviews are a plot contrivance to introduce a range of attitudes, from blatant racism to crippling survivor guilt. But the characters, then and now, are drawn with rare complexity, including a brave, gloomy, unlucky rescuer and a wheeler-dealer survivor. Anna's story is a gripping mystery in a page-turner that raises universal questions of shame, guilt, and personal responsibility. Hazel Rochman
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.

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