Henry IV, Part One

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		Henry IV, Part One
		Henry IV, Part One

基本信息·出版社：Bantam Classics
·页码：304 页
·出版日期：1988年01月
·ISBN：0553212931
·条形码：9780553212938
·装帧：简装
·正文语种：英语
·丛书名：Bantam Classic
·外文书名：亨利四世(第1部)

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A play alive with escapades and action, comedy and history, Henry IV, Part One begins the transformation of the madcap Prince Hal into the splendid ruler King Henry. In it a rebellion against King and State is juxtaposed with another rebellion–the riotous misbehavior of Hal and his companions, principally Falstaff. A superbly funny liar, coward, lecher, and cheat, the larger-than-life character Falstaff turns this great historical drama into a masterpiece of counterpoint and design.

Each Edition Includes:
• Comprehensive explanatory notes
• Vivid introductions and the most up-to-date scholarship
• Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English
• Completely updated, detailed bibliographies and performance histories
• An interpretive essay on film adaptations of the play, along with an extensive filmography
作者简介 William Shakespeare was born in Stratford-upon-Avon in April 1564, and his birth is traditionally celebrated on April 23. The facts of his life, known from surviving documents, are sparse. He was one of eight children born to John Shakespeare, a merchant of some standing in his community. William probably went to the King’s New School in Stratford, but he had no university education. In November 1582, at the age of eighteen, he married Anne Hathaway, eight years his senior, who was pregnant with their first child, Susanna. She was born on May 26, 1583. Twins, a boy, Hamnet ( who would die at age eleven), and a girl, Judith, were born in 1585. By 1592 Shakespeare had gone to London working as an actor and already known as a playwright. A rival dramatist, Robert Greene, referred to him as “an upstart crow, beautified with our feathers.” Shakespeare became a principal shareholder and playwright of the successful acting troupe, the Lord Chamberlain’s Men (later under James I, called the King’s Men). In 1599 the Lord Chamberlain’s Men built and occupied the Globe Theater in Southwark near the Thames River. Here many of Shakespeare’s plays were performed by the most famous actors of his time, including Richard Burbage, Will Kempe, and Robert Armin. In addition to his 37 plays, Shakespeare had a hand in others, including Sir Thomas More and The Two Noble Kinsmen, and he wrote poems, including Venus and Adonis and The Rape of Lucrece. His 154 sonnets were published, probably without his authorization, in 1609. In 1611 or 1612 he gave up his lodgings in London and devoted more and more time to retirement in Stratford, though he continued writing such plays as The Tempest and Henry VII until about 1613. He died on April 23 1616, and was buried in Holy Trinity Church, Stratford. No collected edition of his plays was published during his life-time, but in 1623 two members of his acting company, John Heminges and Henry Condell, put together the great collection now called the First Folio.
编辑推荐 Amazon.co.uk Review
Written in 1598, hard on the heels of the massive popular success of Henry IV Part One, Henry IV Part Two takes up where the first part finished, and completes Shakespeare's portrayal of the troubled reign of Henry IV. Rebellion has apparently been quelled, but dissension still permeates the country, and Henry is disillusioned, sick and dying. After the pace and comedy of Part One., Part Two is a much more subdued and gloomy affair. The tone is set by the early appearance of Falstaff, who relishes the possibilities of easy picking in the face of more civil unrest with his sinister quip that "I will turn diseases to commodity".

The drama focuses on Henry IV's difficult relationship with his son Prince Hal, and the latter's gradual emergence as a charismatic sovereign. In the process he sheds his image as a prodigal wastrel dramatised in the first half of Part One, assuming the title of King Henry V in the closing scenes of Part Two. Perhaps the most poignant moment of the whole play remains Henry's cold-blooded rejection of Falstaff, his surrogate father for much of Part One. "I know thee not, old man" he tells the crushed Falstaff as he assumes the royal crown, preparing the audience for the type of monarch they will see in Shakeseare's subsequent dramatisation of English history, Henry V. --Jerry Brotton --This text refers to an out of print or unavailable edition of this title.

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