Watch Your Mouth: A Novel

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		Watch Your Mouth: A Novel
		Watch Your Mouth: A Novel

基本信息·出版社：Harper Perennial
·页码：256 页
·出版日期：2002年02月
·ISBN：006093817X
·条形码：9780060938178
·装帧：平装
·正文语种：英语
·外文书名：管好你的嘴(小说)

内容简介 在线阅读本书

Tolstoy wrote that happy families are alike and that each unhappy family is unhappy in a different way.In Watch Your Mouth, Daniel Handler takes "different" to a whole new level....

作者简介

Daniel Handler is the author of the novels The Basic Eight, Watch Your Mouth, and as Lemony Snicket, a sequence of children's novels collectively entitled A Series of Unfortunate Events.

媒体推荐 From Library Journal
Billed rather tastelessly by the publisher as an "incest comedy," Handler's second novel (following The Basic Eight) is ambitious but flawed. Joseph tells the story of a lust-filled college summer he spent with his Jewish girlfriend, Cyn ("Sin") Glass (think J.D. Salinger), and her "close-knit" family in Pittsburgh. The events in Part 1 of this Bildungsroman are treated as a four-act opera, complete with set and musical directions. The aftermath, Part 2, is packaged as a parody of the AA 12-step program. Sex between Joseph and his lovers (Cyn and those who follow) and Handler's clever writing provide entertainment, but the novel, like the golem in it (Joseph is convinced that Cyn's mother has made one), lacks the requisite soul for longevity. Purchase for comprehensive fiction collections or where there's demand for quirky, offbeat work like this.DRebecca Sturm Kelm, Northern Kentucky Univ. Lib., Highland Heights
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Kirkus Reviews
Handler follows up his waggish debut (The Basic Eight, 1999) with an even more pungent fricassee: a summer's romance turned incestuous and murderous, cast in the form of an opera followed, naturally, by a 12-step recovery program. Not that Joseph Last Name Changed to Protect the Innocent, as he refers to himself, has anything that outré in mind. What he expects when he signs on as assistant arts and crafts counselor to his girlfriend Cynthia Glass is a placid summer finishing up his junior-year incompletes in the time off from commuting between suburban Pittsburgh's Camp Shalom by day and Cynthia's enthusiastic bed by night. Oh, he's willing to vary the routine via the woods around Camp Shalom, the back of Cyn's car, and the occasional vertical bonk. What he's not willing to countenance is an incestuous streak that guarantees you'll never confuse this Glass family with J.D. Salinger's. Dad and Mom ("call me Mimi") lust respectively after their daughter and son, and young Ben pines for his big sis. The Glasses don't just pine either, as Joseph acknowledges every night when Cyn leaves his damp bed for her father's. Fortunately for Cyn's grandmother, the old lady dies before confessing any desire she might have to repossess her own flesh. The rest of the Glasses follow more violently, falling victim one by one to somebody the cops in Pittsburgh, California (don't ask), think is Joseph and Joseph thinks is the golem Mimi was building in her basement. No jest is too broad (Mimi's physician is named Dr. Zhivago), no simile too indecorous for Joseph's desperately coy unfolding of his summer of discontent and its sequel, as self-satisfied allusions from Kafka to Nabokov to Bill W. jostle for recognition. Beneath all the busy trimmings, though, it's just another reworking of your basic self-reflexive parody incest opera mystery. About average for the genre. -- Copyright © 2000 Kirkus Associates, LP. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
编辑推荐 From Publishers Weekly
So twisted that even its protagonist can't keep up with the perverse turns of plot, this melodramatic satire of family life trembles between virtuosity and utter collapse. Handler (The Basic Eight) sets up the first half of his comically warped novel as a mock opera, complete with stage and orchestra directions. Joseph, self-cast as the young hero, is a college student just finishing his junior year. Urged by his insatiable girlfriend, Cynthia Glass, to spend the summer sleeping by her side, Joseph moves in with her family in Pittsburgh, where the two plan to work as counselors at a Jewish day camp. Dinner at the Glass house the first night clues Joseph in to the family's bizarre fascinationsAincest, science, KabbalahAbut he still has no idea what he's getting into. After closer acquaintance with the creepily rational Dr. Glass (baritone), his high-strung, opera-loving wife, Mimi (soprano) and their precocious young son Stephen (tenor), he continues to be bemused, though unspeakable acts are clearly taking place offstage. Handler's baroque prose curls in elegant arabesques, but his elaborate plotting too often overwhelms his characters. Weakest of all is his portrait of the doomed Cynthia (with the obvious pun of her diminutive "Cyn"), who never quite emerges from Joseph's horny descriptions of their romance. After the opera-melodrama's weird but tantalizing climax, involving death and the golem myth, the novel actually recovers its narrative balance as the psychologically scarred Joseph turns to New Age recovery paperbacks, which replace opera as Handler's satiric model. Layered with coincidences and surprises, Joseph's on-the-lam nine-step self-help program achieves some of the novel's potential as a "Turn of the Screwball" black comedy. (July)
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.





专业书评 From Publishers Weekly
So twisted that even its protagonist can't keep up with the perverse turns of plot, this melodramatic satire of family life trembles between virtuosity and utter collapse. Handler (The Basic Eight) sets up the first half of his comically warped novel as a mock opera, complete with stage and orchestra directions. Joseph, self-cast as the young hero, is a college student just finishing his junior year. Urged by his insatiable girlfriend, Cynthia Glass, to spend the summer sleeping by her side, Joseph moves in with her family in Pittsburgh, where the two plan to work as counselors at a Jewish day camp. Dinner at the Glass house the first night clues Joseph in to the family's bizarre fascinationsAincest, science, KabbalahAbut he still has no idea what he's getting into. After closer acquaintance with the creepily rational Dr. Glass (baritone), his high-strung, opera-loving wife, Mimi (soprano) and their precocious young son Stephen (tenor), he continues to be bemused, though unspeakable acts are clearly taking place offstage. Handler's baroque prose curls in elegant arabesques, but his elaborate plotting too often overwhelms his characters. Weakest of all is his portrait of the doomed Cynthia (with the obvious pun of her diminutive "Cyn"), who never quite emerges from Joseph's horny descriptions of their romance. After the opera-melodrama's weird but tantalizing climax, involving death and the golem myth, the novel actually recovers its narrative balance as the psychologically scarred Joseph turns to New Age recovery paperbacks, which replace opera as Handler's satiric model. Layered with coincidences and surprises, Joseph's on-the-lam nine-step self-help program achieves some of the novel's potential as a "Turn of the Screwball" black comedy. (July)
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Library Journal
Billed rather tastelessly by the publisher as an "incest comedy," Handler's second novel (following The Basic Eight) is ambitious but flawed. Joseph tells the story of a lust-filled college summer he spent with his Jewish girlfriend, Cyn ("Sin") Glass (think J.D. Salinger), and her "close-knit" family in Pittsburgh. The events in Part 1 of this Bildungsroman are treated as a four-act opera, complete with set and musical directions. The aftermath, Part 2, is packaged as a parody of the AA 12-step program. Sex between Joseph and his lovers (Cyn and those who follow) and Handler's clever writing provide entertainment, but the novel, like the golem in it (Joseph is convinced that Cyn's mother has made one), lacks the requisite soul for longevity. Purchase for comprehensive fiction collections or where there's demand for quirky, offbeat work like this.DRebecca Sturm Kelm, Northern Kentucky Univ. Lib., Highland Heights
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Kirkus Reviews
Handler follows up his waggish debut (The Basic Eight, 1999) with an even more pungent fricassee: a summer's romance turned incestuous and murderous, cast in the form of an opera followed, naturally, by a 12-step recovery program. Not that Joseph Last Name Changed to Protect the Innocent, as he refers to himself, has anything that outré in mind. What he expects when he signs on as assistant arts and crafts counselor to his girlfriend Cynthia Glass is a placid summer finishing up his junior-year incompletes in the time off from commuting between suburban Pittsburgh's Camp Shalom by day and Cynthia's enthusiastic bed by night. Oh, he's willing to vary the routine via the woods around Camp Shalom, the back of Cyn's car, and the occasional vertical bonk. What he's not willing to countenance is an incestuous streak that guarantees you'll never confuse this Glass family with J.D. Salinger's. Dad and Mom ("call me Mimi") lust respectively after their daughter and son, and young Ben pines for his big sis. The Glasses don't just pine either, as Joseph acknowledges every night when Cyn leaves his damp bed for her father's. Fortunately for Cyn's grandmother, the old lady dies before confessing any desire she might have to repossess her own flesh. The rest of the Glasses follow more violently, falling victim one by one to somebody the cops in Pittsburgh, California (don't ask), think is Joseph and Joseph thinks is the golem Mimi was building in her basement. No jest is too broad (Mimi's physician is named Dr. Zhivago), no simile too indecorous for Joseph's desperately coy unfolding of his summer of discontent and its sequel, as self-satisfied allusions from Kafka to Nabokov to Bill W. jostle for recognition. Beneath all the busy trimmings, though, it's just another reworking of your basic self-reflexive parody incest opera mystery. About average for the genre. -- Copyright © 2000 Kirkus Associates, LP. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

starred review
"A clever, stylized novel, ripe with literary and religious puns and symbols...Mouth is clever, witty, and unpredictable. " - Booklist --This text refers to an out of print or unavailable edition of this title.

(New York Newsday)
"Watch Your Mouth is a tricky performance, sly and willful...the sense of humor remains very dry. It's funny." --This text refers to an out of print or unavailable edition of this title.

Salon
"...Handler is a writer who is more than ready to pick up [Vonnegut's] torch and write the kind of deftly funny absurdist story that both horrifies with its subject matter and hooks you with its humor." --This text refers to an out of print or unavailable edition of this title.

San Francisco Chronicle
"a monsterpiece of creativity...{Handler is a]...virtuosic and original writer" --This text refers to an out of print or unavailable edition of this title.

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