基本信息·出版社：Bantam Classics ·页码：256 页 ·出版日期：1984年05月 ·ISBN：0553212478 ·条形码：9780553212471 ·版本：1984-05-01 ·装帧：简 ...
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Frankenstein (Bantam Classics) |
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基本信息·出版社：Bantam Classics
·页码：256 页
·出版日期：1984年05月
·ISBN：0553212478
·条形码：9780553212471
·版本：1984-05-01
·装帧：简装
·开本：32开 Pages Per Sheet
·外文书名：科学怪人
内容简介 Frankenstein; or, The Modern Prometheus is a novel by Mary Shelley. First published in London, England in 1818 (but more often read in the revised third edition of 1831), it is a novel infused with some elements of the Gothic novel and the Romantic movement. It was also a warning against the "over-reaching" of modern man and the Industrial Revolution. (The novel's subtitle, The Modern Prometheus, alludes to the over-reaching and punishment of the character from Greek mythology.) The story has had an influence across literature and popular culture and spawned a complete genre of horror stories and films. Many distinguished authors, such as Brian Aldiss, claim that it is the very first science fiction novel.
"I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life and stir with an uneasy, half-vital motion." A summer evening's ghost stories, lonely insomnia in a moonlit Alpine's room, and a runaway imagination--fired by philosophical discussions with Lord Byron and Percy Bysshe Shelley about science, galvanism, and the origins of life--conspired to produce for Marry Shelley this haunting night specter. By morning, it had become the germ of her Romantic masterpiece, "Frankenstein."
Written in 1816 when she was only nineteen, Mary Shelley's novel of "The Modern Prometheus" chillingly dramatized the dangerous potential of life begotten upon a laboratory table. A frightening creation myth for our own time, "Frankenstein" remains one of the greatest horror stories ever written and is an undisputed classic of its kind.
About the Author
The daughter of Mary Wollestonecraft, the ardent feminist and author of A Vindication on the Right of Women, and William Goodwin, the Radical-anarchist philosopher and author of Lives of the Necromancers, Mary Goodwin was born into a freethinking, revolutionary household in London on August 30,1797. Educated mainly by her intellectual surroundings, she had little formal schooling and at sixteen eloped with the young poet Percy Bysshe Shelly; they eventually married in 1816.
Mary Shelly’s life had many tragic elements. Her mother died giving birth to Mary; her half-sister committed suicide; Harriet Shelly–Percy’s wife dr5owned heself and her unborn child after he ran off with Mary’ William Goodwin disowned Mary and Shelly after the elopement, but–heavily in debt–recanted and came to them for money; Mary’s first child died soon after its birth; and in 1822 Percy Shelly drowned in the Gulf of La Spezia–when Mary was not quite twenty-five.
Mary Shelly recalled that her husband was “forever inciting” her to “obtain literary reputation.” But she did not begin to write seriously until the summer of 1816, when she and Shelly we in Switzerland, neighbor to Lord Byron. One night following a contest to compose ghost stories, Mary conceived her masterpeicve. Frankenstein. After Shelly’s death she continued to write Valperga (1823), The Last Man (1826), Ladore (1835), and Faulkner (1837), in addition to editing he husband’s works. In 1838 she began to work on his biography, but owing to poor health she completed only a fragment.
Although she received marriage proposals from Trelawney, John Howard Payne, and perhaps Washington Irving, Mary Shelly never remarried. “I want to be Mary Shelly on my tombstone,” she is reported to have said. She died on February 1, 1851, survived by he son, Percy Florence.
Amazon.com
Frankenstein, loved by many decades of readers and praised by such eminent literary critics as Harold Bloom, seems hardly to need a recommendation. If you haven't read it recently, though, you may not remember the sweeping force of the prose, the grotesque, surreal imagery, and the multilayered doppelg?nger themes of Mary Shelley's masterpiece. As fantasy writer Jane Yolen writes of this (the reviewer's favorite) edition, "The strong black and whites of the main text [illustrations] are dark and brooding, with unremitting shadows and stark contrasts. But the central conversation with the monster--who owes nothing to the overused movie image … but is rather the novel's charnel-house composite--is where [Barry] Moser's illustrations show their greatest power ... The viewer can all but smell the powerful stench of the monster's breath as its words spill out across the page. Strong book-making for one of the world's strongest and most remarkable books." Includes an illuminating afterword by Joyce Carol Oates.
From School Library Journal
Grade 9 Up-Full-color drawings, photographs, and reproductions with extended captions have been added to the unedited text of Shelley's novel, thus placing the work in the context of the era in which it was written. The artwork faithfully represents the text and makes this edition appealing to reluctant readers. Unfortunately, many of the captions provide tangential information that, although interesting, interrupts the flow of the story. However, readers will quickly learn that it is not necessary to read every caption and appreciate this volume for its many quality illustrations.
Michele Snyder, Chappaqua Public Library, NY
Book Dimension
Height (mm) 177 Width (mm) 117
作者简介 Mary Wollstonecraft Shelley
Mary Wollstonecraft Shelley (born Aug. 30, 1797, London, Eng.-died Feb. 1, 1851, London) English Romantic novelist. The only daughter of William Godwin and Mary Wollstonecraft, she met and eloped with Percy B. Shelley in 1814. They married in 1816 after his first wife committed suicide. Mary Shelley's best-known work is Frankenstein (1818), a narrative of the dreadful consequences of a scientist's artificially creating a human being. After her husband's death in 1822, she devoted herself to publicizing his writings and educating their son. Of her several other novels, the best, The Last Man (1826), is an account of the future destruction of the human race by a plague.
媒体推荐 Spotlight Reviews
1.More Relevant Today Than When First Written, November 18, 2003
Reviewer: Gary F. Taylor "GFT" (Biloxi, MS USA)
Modern readers must jump through a number of hoops to enjoy this legendary novel. Written between 1816 and 1818, this is very much a novel of its era, and both language and ideas about plot are quite different from those of today. That aside, and unlike such contemporaries as Jane Austen, author Mary Shelly has never been greatly admired for her literary style, which is often awkward. But perhaps the biggest hurdle is that of our own expectations: while it certainly sent icy chills down the spines of 19th Century readers, FRANKENSTEIN is not a horror novel per se.
While Mary Shelly might have been stylistically weak, her story was not. Nothing like it had been written before, and the concept of a student endowing life upon a humanoid creature cobbled together from charnel house parts was unexpectedly shocking to the reading public. But even more shocking were the ideas that Shelly brought to the story. Having created this thing in his own image, what--if anything--does the creator owe it? And in posing this question, Shelly very deliberately raises her novel to an even more complex level: this is not merely the conflict of man and his creation, but also a questioning of God and his responsibility toward his creation.
In some respects, the book is written like the famous philosophical "dialogues" of the ancient world: a counterpoint of questions and arguments that do battle for the reader's acceptance. More than anything else, FRANKENSTEIN is a novel of ethics and of ideas about ideas, with Mary Shelly's themes arrayed in multiple layers throughout: God, self, society, science; responsibility to self, to society, to the things we bring to society, to the truth; life, integrity, and death--these are the ideas and issues that predominate the book, and any one expecting a horror novel pure and simple is out of luck.
Mary Shelly is a rare example of a writer whose ideas clearly outstrip her literary skill--but whose ideas are so powerful that they transcend her literary limitations and continue to resonate today. And indeed, as science continues to advance, it could not be otherwise so. Mary Shelly could not see into the future of DNA research, laboratory-grown tissues, test-tube babies and the like--but between 1816 and 1818 she wrote a book about the ethical dilemmas that swirl around them. And for all its flaws, FRANKENSTEIN is perhaps even more relevant today than it was over a hundred and fifty years ago.
GFT, Amazon Reviewer
2.Man is not God, February 8, 2001
Reviewer: Guillermo Maynez (Mexico, Distrito Federal Mexico)
Forget the Frankenstein from the movies and come read the real story of a man, Dr. Victor Frankenstein, who is a brilliant scientist with an obsession: play to be God, creating a living human being all by himself. God punishes him: when the creature wakes up to life, he turns out to be a horrible monster. Frankenstein is terrified and rejects his creation.
And here's where the Gothic tale becomes a true literary work of art. What follows is the tragedy of a creature created by the arrogance and ambition of one man, an ugly yet fully human being. The monster is not good nor bad: he's just plain human. What he needs is affection, love and understanding. But his ugliness and clumsiness provoke that no one is willing to approach him: he scares the hell out of everybody. First, he is sad; then, he is enraged. Here's where the real monster is created: by the hatred and frivolity of other humans.
A true Gothic masterpiece, this novel is unforgettable for its message, its depth, and especially for its environment and mood. It is all dark, all cold, all terrifying and all moving. The true monsters are the others, not Frankenstein's creature. But his wanderings around the world are wonderful horror literature. Don't miss this great book written in one night by Mary Wollstonecraft, the young wife of poet Percy Shelley. It is the fortunate result of a bet made by several attendants to a vacation by a lake in Switzerland, Lord Byron included.
Customer Reviews
1.gothic legend, 24 Mar 2006
Reviewer: A reader
I have just read Frankenstein, for college course. The book is very slow to start but it picks up around chapter six, the creatures narrative is the best part of the book. having seen the film myself before hand the characters were not quite what i expected of them. The fact that Mary Shelley was a female gothic made it hard to understand why she portrays the women in the book as she does, the book reads more like it was written by a man. I would also like to say that i don't agree with the views of tonyjackie3, about the trials and tribulations of Victor Frankenstein, i found this character to be severely lacking and felt no sympathy whatsoever towards the man he was egotistical self obsessed and feminine. By the end of the book it is the creature who invokes pity, his sins are easily forgiven considering the exsitence he has lead.
Absolutely compelling reading, if you have trouble with it persevere, it is worth it in the end.
2.Forget your preconceptions and read a classic., 12 Jan 2005
Reviewer: Ian Tapley "thefragrantwookiee"
THE STORY:
An intelligent and promising young student indulges a moment of thoughtless scientific passion and creates life. Horrified at himself, Victor Frankenstein shuns the creature and attempts to continue his life without thinking about it. The creature, however, is lost in an unkind world and he never stops thinking about Frankenstein.
WHAT'S GOOD:
Forget square-heads and green make-up, forget that dreadful modern remake with Kenneth Branagh and Robert DeNiro sit down and read one of the most remarkable science fiction stories ever written. It is basically about two men, Frankenstein and 'the wretch', who are so consumed by passion and pride that they are drawn ever further from the redemption that at times is tantalisingly close. These two men are all too easy to empathise with; Victor being a scientific genius but also scared witless by the horror he feels he has unleashed upon mankind and 'the wretch' (I can't honestly call him monster) who wants only to be loved but is so pained by his loneliness that he lashes out at others. Perhaps my favourite element of the book is the fact that the wretch reads 'Paradise Lost' and, having no concept of fiction, takes it all as complete truth, subtley warping his perception of reality.
WHAT'S BAD:
As with a lot of 19th century literature, this book can be ponderous at times, seeming to deliberately avoid getting on with the story. Also, like a lot of 19th century literature, this book is incredibly depressing. By the time you've read it, you'll be in no doubt that you've read a masterpiece, but you'll also be as miserable as sin.
