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Velocity: A Novel

2010-02-08 
基本信息·出版社:Bantam ·页码:480 页 ·出版日期:2009年06月 ·ISBN:055359317X ·International Standard Book Number:055359317X ·条形码:97 ...
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 Velocity: A Novel


基本信息·出版社:Bantam
·页码:480 页
·出版日期:2009年06月
·ISBN:055359317X
·International Standard Book Number:055359317X
·条形码:9780553593174
·EAN:9780553593174
·装帧:简装
·正文语种:英语
·外文书名:速度

内容简介 Dean Koontz’s unique talent for writing terrifying thrillers with a heart and soul is nowhere more evident than in this latest suspense masterpiece that pits one man against the ultimate deadline. If there were speed limits for the sheer pulse-racing excitement allowed in one novel, Velocity would break them all. Get ready for the ride of your life.

Velocity


Bill Wile is an easygoing, hardworking guy who leads a quiet, ordinary life. But that is about to change. One evening, after his usual eight-hour bartending shift, he finds a typewritten note under the windshield wiper of his car. If you don’t take this note to the police and get them involved, I will kill a lovely blond schoolteacher. If you do take this note to the police, I will instead kill an elderly woman active in charity work. You have four hours to decide. The choice is yours.

It seems like a sick joke, and Bill’s friend on the police force, Lanny Olson, thinks so too. His advice to Bill is to go home and forget about it. Besides, what could they do even if they took the note seriously? No crime has actually been committed. But less than twenty-four hours later, a young blond schoolteacher is found murdered, and it’s Bill’s fault: he didn’t convince the police to get involved. Now he’s got another note, another deadline, another ultimatum…and two new lives hanging in the balance.

Suddenly Bill’s average, seemingly innocuous life takes on the dimensions and speed of an accelerating nightmare. Because the notes are coming faster, the deadlines growing tighter, and the killer becoming bolder and crueler with every communication—until Bill is isolated with the terrifying knowledge that he alone has the power of life and death over a psychopath’s innocent victims. Until the struggle between good and evil is intensely personal. Until the most chilling words of all are: The choice is yours.
作者简介 Dean Koontz, the author of many #1 New York Times bestsellers, lives with his wife, Gerda, and the enduring spirit of their golden retriever, Trixie, in southern California.
编辑推荐 "Graphic, fast-paced action, well-developed characters and relentless, nail-biting scenes show Koontz at the top of his game."—Publishers Weekly, starred review

"Genuinely terrific."—Booklist

“Just in time for summer, Dean Koontz again delivers a top-notch thriller full of well-drawn characters and anxiety-spiked sequences.”—Chicago Tribune

“Koontz keeps the focus of Velocity tight….Velocity will have readers turning the pages—and checking to make sure their doors are locked and bolted.” —Associated Press
专业书评 From Publishers Weekly
Starred Review. A diabolic killer plays a harrowing game of cat and mouse with a reclusive bartender in Koontz's latest gripping suspense thriller. Billy Wiles, a 30-something bartender and former writer, is content with his solitary Napa County existence listening to "beer-based psychoanalysis" from tavern regulars; visiting his hospitalized, comatose fiancée, Barbara; and carving wood sculptures. But the simple life gets mighty complicated when he finds a note with a deadly, time-sensitive ultimatum: he must choose between the death of a young schoolteacher or an elderly humanitarian in six hours. Reluctant local sheriff Lanny Olsen dismisses it as a joke until a comely teacher is found strangled and another threatening note appears—offering even less time for Billy to decide the fate of two more people. Who would have guessed that one of those people would be Olsen? After his friend's murder, Billy finds that the cunning killer has gained access to every aspect of his life as the ultimatums grow increasingly more personal. Suppressing horrific childhood memories, Billy scrambles to bury grisly incriminating evidence the murderer has deviously planted. More gruesome deaths and shaky suspicions trap Billy right in the demented killer's lair for just the beginning of Koontz's serpentine showdown. Graphic, fast-paced action, well-developed characters and relentless, nail-biting scenes show Koontz at the top of his game. (May 24)
Copyright ? Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.

From School Library Journal
Adult/High School–Bartender Billy Wiles's life spirals out of control after he finds a note on his windshield telling him that he has a choice: involve the police, and a lovely blonde schoolteacher dies. Do nothing, and an elderly woman active in charity work dies. His options only become harder once the killer targets people whom Billy knows and plants circumstantial evidence tying him to the crimes. His greatest fear is for his comatose fiancée, and he works frantically to find the murderer before Barbara is hurt. Koontz keeps the plot moving at an accelerating pace, and there are enough twists and turns to keep the story from being predictable. Billy isn't a hero in the traditional sense, but he is a sympathetic protagonist, an average man pushed to his limits by an implacable foe. Although there is a great deal of violence and an impressive body count, the worst of it occurs off-screen. The themes aren't subtle, but they are worth considering--the importance of connection and community, the enduring power of love, and the validity of modern art. Velocity is a fast, entertaining read.–Susan Salpini, TASIS–The American School in England
Copyright ? Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.

From Booklist
Billy Wiles tends bar in a tavern in his small California hometown, from which he has never moved despite the horrific night when he became an orphan at 14 and its equally horrific aftermath. Some 15 years later, he published a well-received book of stories and met Barbara. They were about to be married when botulism in canned vichyssoise put her in a coma, and Billy more or less on hold, living on the hope that she will revive some day. Some five years further on, Billy finds, under the windshield wiper of his car, a note offering him a hideous decision. If he doesn't go to the police, "a lovely blond schoolteacher" will be killed; if he does, "an elderly woman" will be murdered. Billy doesn't exactly go the police. He shows the note to a cop who is probably his only real friend and who seconds his conjecture that the note is just an exceedingly tasteless prank. Of course, it isn't, and for the rest of an exceedingly tightly wound thriller stubbornly focused on him, Billy struggles to discover the identity of the soon-serial killer, who plants evidence incriminating Billy on his (her? their?) victims. Eventually and all too soon, Barbara is threatened, and Billy's subsequent suicide predicted, in the murderer's ostensibly final note. Not as moving as Odd Thomas (2003), as creepy as The Taking(2004), as darkly funny as Life Expectancy (2004), or as thought-provoking as any of them, Velocity is, however, more suspenseful and more grueling--genuinely terrific. Ray Olson
Copyright ? American Library Association. All rights reserved --This text refers to the Hardcover edition.
文摘 Part 1
The Choice is Yours

Chapter One


With draft beer and a smile, Ned Pearsall raised a toast to his deceased neighbor, Henry Friddle, whose death greatly pleased him.

Henry had been killed by a garden gnome. He had fallen off the roof of his two-story house, onto that cheerful-looking figure. The gnome was made of concrete. Henry wasn’t.

A broken neck, a cracked skull: Henry perished on impact.

This death-by-gnome had occurred four years previously. Ned Pearsall still toasted Henry’s passing at least once a week.

Now, from a stool near the curve of the polished mahogany bar, an out-of-towner, the only other customer, expressed curiosity at the enduring nature of Ned’s animosity.

“How bad a neighbor could the poor guy have been that you’re still so juiced about him?”

Ordinarily, Ned might have ignored the question. He had even less use for tourists than he did for pretzels.

The tavern offered free bowls of pretzels because they were cheap. Ned preferred to sustain his thirst with well-salted peanuts. To keep Ned tipping, Billy Wiles, tending bar, occasionally gave him a bag of Planters.

Most of the time Ned had to pay for his nuts. This rankled him either because he could not grasp the economic realities of tavern operation or because he enjoyed being rankled, probably the latter.

Although he had a head reminiscent of a squash ball and the heavy rounded shoulders of a sumo wrestler, Ned was an athletic man only if you thought barroom jabber and grudge-holding qualified as sports. In those events, he was an Olympian.

Regarding the late Henry Friddle, Ned could be as talkative with outsiders as with lifelong residents of Vineyard Hills. When, as now, the only other customer was a stranger, Ned found silence even less congenial than conversation with a “foreign devil.”

Billy himself had never been much of a talker, never
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